Each print option, from a digital download to an A0 print, becomes a button the width of the phone. The cart, called the Kete, stays in the corner of every page.
His exhibitions on a turning ring, recorded on the live site. Drag it and it follows your hand; let go and it settles on the nearest exhibition.
The opening, recorded on the live site
01
The badge comes together first
A first visit opens with Isaac’s badge assembling over a flicker of his prints: the aperture turns, the crossed patu land and the type arrives. A breath of black, then the home page dissolves in.
02
Print options in plain words
Clear choices from a digital file to an A0 print, an honest note about framing in place of an option that didn’t exist, and a secure-checkout line where the decision is made.
Typography & colour
Aredheldinreserve.
Aredheldinreserve.
Aredheldinreserve.
Aredheldinreserve.
Aredheldinreserve.
Aredheldinreserve.
Aredheldinreserve.
Aredheldinreserve.
Three typefaces and six colours, named from a Resene chart Isaac chose. Red marks the one action on each screen.
Aa
Font
Fraunces
Every word of the story. Never in capitals, never bold.
Symbols
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz
0 1 2 3 4 5 6 7 8 9 Ā ā Ē ē Ī ī Ō ō Ū ū
Colour palette
Six colours. Blackjack and Alabaster carry the page; Red Pepper is kept for the action.